Please use this identifier to cite or link to this item:

http://hdl.handle.net/10609/102373
Title: Apropiaciones imaginativas de la música en los nuevos escenarios comunicativos
Other Titles: Imaginative Appropriations of Music in the New Communicative Scenarios
Author: Aguilera Moyano, Miguel de
Adell Pitarch, Joan Elies
Borges Rey, Eddy L.
Others: Universidad de Málaga
Universitat Oberta de Catalunya (UOC)
Keywords: Social networks
Cultural practices
Digital music
Imaginative appropriation
Identity building
Communicative scenarios
Issue Date: 1-Mar-2010
Publisher: Comunicar: revista científica iberoamericana de comunicación y educación
Citation: Aguilera, M., Adell Pitarch, J. & Borges-Rey, E. (2010). Apropiaciones imaginativas de la música en los nuevos escenarios comunicativos. Comunicar: revista científica iberoamericana de comunicación y educación, 17(34), 35-44. doi: 10.3916/C34-2010-02-03
Also see: https://www.revistacomunicar.com/verpdf.php?numero=34&articulo=34-2010-05
Abstract: Sharing music is a traditional mechanism of cultural sociability, the observation of wich is useful in order to understand the negotiation procedures of sense and identity. In the new digital scene, the act of sharing and offering music shows -along with the obvious purpose of establishing relationships with others as well as making them participate in something pleasant- a desire to spread one's own personal taste and a will to communicate our one's identity. Thus, now and then, communicating by means of music and sharing it -as well as giving an opinion on it- are ways of both self-representation and expression of one's identity, offering others some sort of «musical personality»: another way of being in the world, typical of our era and related to a way of using the products of cultural industry with a personal purpose. This use, however, is not restricted to just expressing identity aspects: we use mass culture products in several ways with different purposes in our everyday life. According to some of these other uses, we will expand the field of the main subject of this article: other ways of sharing music that represent both permitted and non-permitted appropriations of music. We will accomplish this by considering some of the reasons that help getting a better understanding of the cultural task carried out by music (and other cultural products).
Language: Spanish
URI: http://hdl.handle.net/10609/102373
ISSN: 1134-3478MIAR

1988-3293MIAR
Appears in Collections:Articles
Articles

Share:
Export:
Files in This Item:
File SizeFormat 
musica_escenarios_comunic.pdf345.48 kBAdobe PDFView/Open

Items in repository are protected by copyright, with all rights reserved, unless otherwise indicated.