The aim of this book is to present an alternative to traditional broadcast all rights reserved, an alternative rights management more flexible. This alternative is the licensing of Creative Commons which is celebrating its fifth anniversary and the third in our country. During these years, this system has become a real and legal alternative for those artists who have believed that they did not need to reserve all rights. Creative Commons licenses are currently a legal tool that has spread through the network and the world through the adaptation of texts born in the U.S.. But it has also proved its worth not only to digital formats, but also in traditional formats such as paper or compact disc.