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http://hdl.handle.net/10609/93080
Title: No art without propaganda: la constitución de Nykino contra la institución documental
Other Titles: No art without propaganda: Nykino's constitution against the documentary institution
Author: Rodríguez Granell, Ana  
Others: Universitat Oberta de Catalunya (UOC)
Keywords: militancy
creative work
realism
New Deal
modernism
documentarism
Issue Date: 21-Feb-2017
Publisher: Cuadernos de música, artes visuales y artes escénicas
Citation: Rodríguez Granell, A. (2017). No art without propaganda: la constitución de Nykino contra la institución documental. Cuadernos de música, artes visuales y artes escénicas, 12(1). doi: 10.11144/Javeriana.mavae12-1.nawp
Also see: https://revistas.javeriana.edu.co/index.php/cma/article/view/16466
Abstract: This article analyzes through historical sources and works of cultural history, the emergence of collective film and militant documentary during the period of the New Deal period taking into account the tensions between them and institutional documentary policies or realistic guidelines of the thirties. It will explore how, the emergence of new audiovisual technologies, and the organization of networks of cooperation outside the studios, makes possible to understand critical positions that not only challenge certain aesthetic policies but also models of work organization. This will take into account the case of Nykino as split platform reformulating the precepts of antiavant-garde dogmatism of Communist Party of the United States of America or the alleged objectivity of the documentarism, conducting a critique of the creative work in the areas of militancy. Thus, we try to insert these practices within the framework of American modernism.
Language: Spanish
URI: http://hdl.handle.net/10609/93080
ISSN: 2215-9959
1794-6670
Appears in Collections:Articles cientÍfics
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