Homosexual Desire in the Poetry of Blai Bonet

Abstract

This article examines the interplay between homosexual desire and anxiety in the poetry of Blai Bonet, one of the most important, complex, and problematic figures in modern Catalan literature. Bonet is usually presented as a homosexual author, but the way his poetry articulates same-sex desire is far from straightforward. Critics have highlighted the sensuality and eroticism of his poetry, as well as the importance of mysticism and Catholic imagery. However, a specific analysis of homosexual desire in Bonet's poetry has never been undertaken. Through a psychoanalytically-oriented reading of various poems by Bonet, this essay traces the movement and the effect of anxiety in a textual corpus characterised by a tension between a body mortified by pain, illness, and guilt, and an ecstatic body that seeks satisfaction in the social underworld, in voyeurism and fantasy, and in textual play. Blai Bonet's literary project promotes a textual revolution through the dissolution of genres and the proliferation of voices: he defines himself as "a poet without intimacy" whose work performs a radical dispersal of the subject, yet paradoxically his own name is constantly enunciated in the poems, while his body remains silent, concealed behind ellipses or in elusive references to (gay) sex. This article argues that following the trace of anxiety in Bonet's poetry allows us to move towards the locus where he confronts the complexities of his desire: through an act of sublimation that restates the sexual in creative life, Bonet turns anxiety into comedy, guilt into a sense of humour, and textual experimentation into a form of ascesis.