Please use this identifier to cite or link to this item: http://hdl.handle.net/10609/141068
Title: Interferencias entre el arte y lo político: reflexiones sobre lo común desde las prácticas de creación y de resistencia
Author: Barbati, Ida Angela
Tutor: Gómez Franco, Irene
Keywords: emancipation
resistance
feminism
political art
gender studies
Issue Date: 21-Nov-2022
Publisher: Universitat Oberta de Catalunya (UOC)
Abstract: This research reflects on how an artistic space, which is constructed from feminist activism, can become a place from which to think about and inhabit a different sense of politics. From the researcher's situated experience, which accounts for a personal political position within the framework of the phenomenon being observed, the theoretical practice of the artistic research of the Art Sanes collective is taken as a case study. The study is based specifically on the artistic residency Emergencies.3, organised by FemArt, which was held at Ca la dona and culminated in a collective exhibition. In this context, the groups Les Hereves de Lilith, Teatre en Moviment Callejerx and Feministes de Gràcia were interviewed with the aim of establishing a dialogue that would create theory and practice around the concept of the commons. In this way, it would be possible to observe the work of artistic collectives that, from different points of view, create forms of cooperation mobilised by a sense of belonging to a common place/community. The hypothesis that is put forward is that art, beyond being configured as a representation or interpretation of reality, is configured as a space of agency that intra-acts with the real, generating encounters and processes of subjectivation. From this, a way of making and inhabiting the political would emerge that manages to transform inter-subjective relations and the very sense of self.)
Language: Spanish
URI: http://hdl.handle.net/10609/141068
Appears in Collections:Trabajos finales de estudios de género
Trabajos finales de carrera, trabajos de investigación, etc.

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